Get Down With The Philly Sound by Dimitri From Paris

When confronted with an historic compilation, where do you begin?  With videos, of course!  Enjoy!

Released: 2010-05-17   To PURCHASE this gem, click here

BBE Records proudly presents its 5th and arguably most exciting compilation with the French dj and ambassador of disco, Dimitri from Paris. This compilation focuses on Dimitri’s essential disco era tracks – made in Philadelphia, that feature the core of the rhythm section that created and defined the sound of the genre. For this compilation Dimitri has exclusively reworked 5 tracks from the original multitrack tapes of Gamble and Huff with a further 4 being edited from the original 2 track stereo masters.

It should be noted that nearly all of the disco output from Philadelphia between 1973-1980 featured the work of the same studio musicians known as –The Family, MFSB (Mother, Father, Sister, Brother), The Salsoul Orchestra, Baker – Harris -Young Productions, The John Davis Monster Orchestra or the Montana Sextet depending on who the recording was for. The classic line up of musicians included Karl Chambers and Earl Young (Founder of The Trammps and c! reator of the disco drum pattern which laid the template for every dance record since) on drums; Norman Harris, Roland Chambers, Bobby Eli (Original MFSB member), and TJ Tindall on guitar; Winnie Wilford and Ronnie Baker on bass; Vince Montana (vibes/arranger and founder of the Salsoul Orchestra) and Larry Washington on percussion and Leon Huff, Thom Bell and Ron Kersey on keyboards. Don Renaldo taking care of strings and horns featuring soloist John Bonnie Rocco Bene on Trumpet.
Last but not least the remixers and Tom Moulton (Pioneer of the Disco Mix, the 12 inch vinyl format, the break down sections of records and supplier of missing masters for this compilation) who influenced the popularity of songs with his legendary mixes. For Salsoul Walter Gibbons was the owners choice. Honorable mentions go to Larry Levan and Shep Pettibone for their contributions in this field.
These guys were the bridge between the labels and the club dancers and understood how to ma! ke a record work in a club.

Undisputedly, as prod! ucer&rsq uo;s Thom Bell and Gamble and Huff’s Philadelphia soul sound evolved from the simpler arrangements of the late 1960s into a style featuring lush strings, thumping basslines and sliding hi-hat rhythms; Philadelphia gave birth to and defined the brand new Disco genre. The anthemic “The Love I Lost” is recognised as the first commercial disco record and was recorded at the legendary Sigma Sound Studios, Philadelphia in 1973. Recording engineer, Joe Tarsia founded Sigma Sound in 1968 where virtually of all the disco recordings on Gamble and Huff’s Philadelphia International, Salsoul, Philly World, Gold Mind, Atlantic were made, thereby maintaining the unique sound of Philadelphia. Located at 212 N. 12th Street in Philadelphia, it was the second studio in the USA to offer 24-track recording and the first in the country to use console automation. David Bowie recorded his Young Americans album at this legendary studio as was Dusty Springfields – A Brand New Me, w! hile Elton John’s 1977 Philadelphia sessions were in such demand recently that they provided a hit single (‘Are You Ready For Love’) and CD re-issue 3 decades after the recordings were first made.

By 1975, Philadelphia International and the Philadelphia soul and disco genre’s it helped define had largely eclipsed Motown and the Motown Sound in popularity and Gamble and Huff were the premiere producers of soul with nearly 200 gold and platinum records to their credit. Salsoul capitalized on the success of the sound by employing the same musicians whilst focusing on club music predominantly.
In a recent Blues and Soul interview Kenny Gamble admits to passing over Prince’s demo. Other acts for whom Philly collaborations didn’t happen were Miles Davis, Bob Marley, Barry White and Earth Wind and Fire. Time simply didn’t allow these to happen.

Notable acts rushed to Philadelphia to capture the sound. Ex Motown cohorts The Ja! cksons and Eddie Kendricks utilized the above classic line of ! musician s up to embrace the new sound and extend their careers. Simultaneously, Salsoul Orchestra and the John Davis Orchestra were essentially basically a moniker core rhythm section of MFSB and recorded several disco hits outside of the PIR umbrella.

Now for the first time ever Gamble and Huff have given a label access to the multi track tapes of some Philly International platinum selling classics such as The Love I Lost, Bad Luck featuring the vocals of the late great Teddy Pendergrass, the first black male to release 5 consecutive platinum albums in the United States.

Dimitri’s selection on CD1 traces the evolution of the 70’s disco groove from the first ever disco hit record, to the rejuvenation of the Jackson 5’s career. Interspersed with obscurities such as Charles Mann to the magnificent Teddy Pendergrass, Philly International’s answer to Marvin Gaye. CD2 of the compilation pays homage to the original creators and innovators of the! remix and extended edits with reworkings exclusively by Dimitri from Paris.

This tribute to the creators of disco is presented on a limited edition 10,000 copies double cd. Multiple deluxe vinyl exclusively featuring Dimitris remixes and edits.

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